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Don Giovanni

Saturday,   April 24 2010,   7:30pm,   followed by reception

Dominion Chalmers United Church,    355 Cooper St. at O'Connor,   Ottawa

Opera Highlights

A staged and costumed opera production sang in Italian. Mozart's greatest opera retelling the story of Don Juan, the famous seducer of women described in literature since the 16th century. The opera blends comedy, melodrama and supernatural elements.

Music

Wolfgang Amadeus Mozart

Libretto

Lorenzo da Ponte

Premiere

27 October 1787, Estates Theatre, Prague, Czech Republic

Time and Place

17th century, a city in Spain

Production

ARTISTIC DIRECTOR — Maria Pellegrini

STAGE DIRECTOR —Vincent Thomas

TECHNICAL MANAGER — Carlo Verdicchio

STAGE MANAGERS — Jean-E and Michael Hudson

Pianist

Michel Ross

Conductor

Christian Paquette

Cast

DON GIOVANNI

baritone

Luc Lalonde

Luc Lalonde

DONNA ANNA

soprano

Chantal Parent

Chantal Parent

LEPORELLO

bass

Christopher Mallory

Christopher Mallory

DON OTTAVIO

tenor

Rory McGlynn

Rory McGlynn

DONNA ELVIRA

mezzo-soprano

Stephanie Piercey

Stephanie Piercey

ZERLINA

soprano

Nicole Bower

Nicole Bower

IL COMMENDATORE

bass

Fred Bradley

Fred Bradley

MASSETTO

baritone

Mark Gough

Mark Gough

Synopsis

ACT I

Leporello waits outside a house where his master, Don Giovanni, is forcing himself upon Donna Anna. She cries for help and her father, the Commendatore, runs to her assistance. In the ensuing fight Don Giovanni kills the Commendatore. Donna Anna and her betrothed, Don Ottavio, vow revenge. Donna Elvira, recently jilted by Don Giovanni, arrives in search of the Don; he makes good his escape by leaving Leporello to read out his "book of conquests", in which the names of the Don's 2065 lovers are recorded. Don Giovanni comes across a peasant wedding and promptly begins to charm the bride, Zerlina, but Elvira arrives and alerts her to the Don's intentions. Donna Anna and Don Ottavio then arrive, and as the Don takes his leave of them, Anna identifies him as the man who had tried to rape her. At a party hold by Don Giovanni, Zerlina reassures her lover Masetto of her affections, but she begins to weaken in the Don's presence. Wearing masks, Anna, Elvira and Ottavio arrive at the ball, which is interrupted by Zerlina's scream. She stumbles onto the stage, the Don attempts to blame Leporello for the attack, and Anna, Elvira and Ottavio unmask themselves to publicly denounce the Don.

ACT II

Don Giovanni exchanges his costume with Leporello and serenades Elvira's maid as soon as Elvira has left with Leporello, believing him to be the remorseful Don. Masetto arrives with a gang of men who are intent on punishing the Don. The Don, pretending to be Leporello, tells Masetto how to find the murderer, then beats Masetto half to death. The Don and his servant meet in a graveyard, where the statue of the Commendatore addresses them; Don flippantly invites him to supper. The statue duly arrives and demands the Don's repentance. Unbending, Don Giovanni is finally dragged screaming into hell. Elvira, Ottavio, Anna and Leporello address the audience with the moral: "Evildoers always come to an evil end."

 

Reception

 

Opera lovers will have a chance to meet Maria and the cast in person during the reception held after the opera. Light refreshments will be available.

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